Ritual for the Unborn

‘Ritual for the Unborn’
Composed and performed by Hanne Marie le Fevre / poetryofnow.com
July 2019, one week before due date
With inspiration from my collaborations with Jeppe Ernst through the years

The Encyclopedia of Human Touch

A portrait documentary produced during the preparation of Offertorium composed by Jeppe Ernst and performed in April 2018.

Director and cinematographer: Omid Zarei

Produced by Scott Sell from Compass Light Productions for ReelEarth Series

VIVALDI

Hanne Marie le Fevre, mezzosoprano

Holmens Baroque Ensemble:
Jesenka Balic Zunic, baroque violin and spalla
Ida Lorenzen, baroque violin
Rastko Roknic, baroque viola
Hanna Loftsdóttir, baroque cello
Joakim Peterson, baroque bas
Dohyo Sol, lut
Gritli Kohler-Nyvall, travers flute
Jakob Lorentzen, hapsichord

September 7th 2017, Holmens Church’s Chapel, Copenhagen DK

Offertorium

‘Offertorium’ is composed by Jeppe Ernst and was first performed in the concert hall of The Royal Academy of Music in Copenhagen in April 2018.

Thou Art a Vessel

We are a music ensemble who meet to create a Sacred sanctuary in which we share beautiful music with one another & with members of the public.

Ania Rybacka (PL) – Vocalist
Lo Ersare (SE) – Vocalist
Hanne Marie le Fevre (DK) – Mezzo soprano
Nicole Hogstrand (SE) – Viola da Gamba
Arsen Petrosyan (AM) – Duduk
Mikkel Schreiber (DK) – Baroque viola
Nick Martin (UK) – Keyboard instruments

Nick Martin who took initiative to gather us together released an album in 2018 that I can recommend with all my heart. I am featured on the record mostly as a soloist, but also improvise together with the amazing duo Art of Escapism, consisting of Lo and Ania. Enjoy and purchase – the vinyl is just gorgeous!

Ars Nova Copenhagen

Ars Nova Copenhagen was founded in 1979 and is widely recognized as one of the world’s finest vocal ensembles. The ensemble’s chief conductor and artistic director since 2003 is the acclaimed British conductor Paul Hillier.

The ensemble specializes in the interpretation of the polyphonic choral music of the renaissance and new vocal music. Ars Nova Copenhagen is also building collaborations with creative artists in different fields such as drama, film, and ballet, as well as cultivating new modes of concert performance and innovative repertoire.’

The group’s performances are marked with precision and nerve and with a sound that attracts attention worldwide. With an annual concert season in Copenhagen and Aarhus, numerous concerts in the rest of Denmark and recurring tours worldwide, the group is now more in demand than ever.

What is left

“What is left” is a different kind of live theatre experience, exploring what is left after someone dear has passed away.

Read more about the performance here or stay tuned in my calendar.

Who should really be ashamed?

In the August publishment of The Murmur my article on domestic violence, victim blaming and the rhetorics on the subject is to be found. Click here to read.